Speaker: Eduardo Ramírez Pedrajo (Monterrey, NL)
Days: 4 to 6 May
Hours: 5-8 pm
Cost: $ 400
The workshop be given between conceptual tools and strategies contextualize the work practices for self-management within the flexible working scheme and survive the precarious process of cultural production that is subjected.
The workshop will be part of the week "as Wedding Producer Planner "which will be held a round table of the same name and Diana Eduardo Ramírez Cuéllar, and exposure-flow" images in transit "and workshop" None Zero Band "Artist Marsantonelo.
as wedding planner producer (fragment)
few days ago I noted in my book, "Project: Produce talks. Join discussion groups. Create a core asset that produces content and motor operating as a project "...
Changes in the producer model, which have been described, correspond to changes in the means of production or the emergence of a new social role "The Author as Producer, W. Benjamin, changes in the structures forming the subject-the artist as ethnographer, Hal Foster, or a change in their practices-the artist as DJ, Bourriaud.
producer's status is closely related to the transformations that occur in society. If you conceive that your work is part of a guild of cantereros, which depends on technical prowess through a stroke of genius is channeled, which must be integrated disciplines such as industrial and graphic design, whether it is a purely mental work and she decided to play chess ... is showing a model based on social conformity to their idealizations, type of production or social paradigms which complies with reality.
flexible personality Brian Holmes proposes, subject multiskilled, developing self-employment, work at home, by project and depends on your networking skills, has its manifestation in cultural producer, while it is visual producer, is rocker, has a coffee or alternative cultural center in your living room or deregionalised in digital, direct a video project, is a curator, belongs to several groups, has a program for young collectors, a graphic designer, organized or ephemeral events in specific site in his spare time, teaches at universities or individuals in his workshop ...
this multichamber we call wedding planner. The wedding planners working for others to enjoy, are who bear full responsibility for the event but have no credit and do not enjoy the experience, are the ones who do the dirty work for someone who can afford to not have that experience, that tension generated by the responsibility for cultural production.
More than an exhibition or event that affirms the place of the producer as the center of the phenomenon, rather than being who is celebrated in an exhibition, the producer would operate a number of times you can run as host.
What defines the producer will generate knowledge, to know that the contents are created by viewers.
This is above all a space for critical reflection that opens the possibility of rethinking, re-articulate, relationships, symbolization, prejudices, structures, trade, myths, which establish the art circuit.
The purpose is to invite the public to reflect on the banality of cultural spaces, as well as the improper use of terms misunderstood that, given the ignorance and opportunism of the members of the cultural environment, try complete with strategies speculative and empty speeches, uninhabited spaces cultural circuit.
seems that the viewer can be the new partner that the producers have to refer to counteract the tide institutionalizing and barren of events in the cultural production pauperize to contribute to the construction of cultural capitalism.
Will producers able to meet the challenge?
-Eduardo Ramírez
Eduardo Ramírez
teacher, researcher and critic.
cultural criticism has served as editor of velocidadcrítica , in books like The Triumph of Cultural, economic and political use of culture in Monterrey ; intellectual property, new technologies and open access to culture, and now in the blog virtual Suicide . studied English Literature and a Masters in Specialized Journalism at the Tec and a PhD in Entrepreneurship and Theories of Culture in the UDLAP. texts with their projects or had participated in the First Biennial of Prague Documenta XII, magazine, and the Meeting of Researchers and Critical Art in Montevideo, Uruguay.
For more information and registration, send an email to donapolonio@gmail.com
0 comments:
Post a Comment